Dark Soldier wrote:Loved the bit where they were in the big action scene and as Cruise was flying through the skies a literal goose flew next to the plane and he saluted it crying.
Minkymu wrote:The original is bar far the best. Wills character is obviously more troubled by his gift of empathy in the original. Plus the flaming wheelchair is done better. As is the weirdly sexual blind girl tiger stroking. Something about the 80's blurry film grade and the synth music add to the experience. Also i dont know if its just me, but the weird change in frame rate when the tooth fairy bursts through the window at Will always strikes me as odd. seems to be briefly sped up?I've probably seen that more than Lambs. And I've seen Lambs a fair few times. I tried to get into podcasts during lockdown so we did a few called 'The Rewatchables' in the car on the way to work. The Manhunter episode was one of the better ones iirc.Manhunter 80s Michael Mann version of Red Dragon. Splendid version with Brian Cox in the Lector role who plays it quite differently and in some ways more sinister because his Lector doesn't show his intelligence off the way Hopkins' does. Very, very 80s. Looks great. Like a Miami Vice episode. This is one of those films I've only ever seen parts of so it was great to view it beginning to end. On iPlayer.
davyK wrote:Fuck I hated the older version of that. My sisters had it on VHS. If I ever hear "Tomorrow" again it will be too soon.
b0r1s wrote:We also use Annie to torture my now grown up daughter. When she was younger she had curly hair with hint of ginger. Obviously for her 18th birthday we played Jay-Z’s version of Hard Knock Life in front of all her friends. Think she’s still traumatised.
afgavinstan wrote:As a small lad, my hair was super curly, and stayed so as I went to primary school. Around a year before the John Hughes movie Curly Sue came out, so yeah, often called that.
Cos wrote:9. Tár A prodigious conductor's life starts to unravel as allegations from her past surface. This is definitely Blanchett's film and she's powerful in the lead, mixing strong and focused with a bit of scenery chewing when able, but is also well supported in key roles throughout. It's a slow burn but works all the better for it as turns, both expected and unexpected, take the film in different directions. A fascinating insight into a world I know very little about but there's an 'office politics' element that most can relate to and it avoids going into so much detail that it might affect the story.Top effort in all departments (except maybe sound mixing) and Blanchett should rightly be recognised for this performance. [9]Spoiler:
hylian_elf wrote:Spoiler:
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