Gremill wrote:70. Prince of Darkness
Hadn't seen this since I had it on VHS and I remember not liking it that much. It is, though, a really great horror - a genuinely creepy atmosphere and a pervasive feeling of dread saturates it, with Carpenters superb score, some wonderfully gruey kills and effects and the brilliantly effective dreams of the future making it one of his best. 8
Cos wrote:95. The Quiet ManJohn Wayne moves back to Ireland in the 1920s, woos a red headed lass and tries to avoid fighting her brother. It’s pretty light fare and don’t think it’s aged particularly well. Wayne is a more subdued version of his usual self but supported by a solid cast that provide a bit more quality and fun. Otherwise it’s too long and the scenery is possibly the best thing about it. [5]
Paul the sparky wrote:It's a weird one in lots of ways. Love the score. Bit wonky in a few places but I enjoyed it. The Mouth of Madness next up I reckon
Paul the sparky wrote:Paul the sparky wrote:It's a weird one in lots of ways. Love the score. Bit wonky in a few places but I enjoyed it. The Mouth of Madness next up I reckon
Well that was fucking mental
Kow wrote:Delighted that somebody else has watched and enjoyed it. It says so much without overloading the film with dialogue. Had me in tears by the end. I loved the way that Irish (not Gaelic) is used as a language of comfort and safety. The short English quip used by the father to his brother and wife is one of the most horrible things said in a film.
poprock wrote:See How They Run
An excellent cast having fun in a daft murder mystery. Saoirse Ronan and Sam Rockwell steal the show, which is no mean feat against Adrien Brody on top form. Short, tight, fun with a sort of Wes Anderson-lite vibe.
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