Brooks wrote:It's entertainment; the whole can be rejected in cause of a part, and with impunity. Because it's entertainment.
Brooks wrote:No, that's entirely legit as reasons go. What's unclear to me here is the substantial difference between Dante the former and Dante the to-be-released.
. Did you read the book?Brooks wrote:I'm not going to see The Hobbit because it is The Hobbit. Please select new film I might care about and the miscasting it is about to get all up in its guts.
Raiziel wrote:. Did you read the book?I'm not going to see The Hobbit because it is The Hobbit. Please select new film I might care about and the miscasting it is about to get all up in its guts.
Brooks wrote:No, that's entirely legit as reasons go. What's unclear to me here is the substantial difference between Dante the former and Dante the to-be-released.
. Fair enough.Brooks wrote:Yes, many a year ago. I've no real fondness for the franchise and don't relish a screen do-over, not least based on how bad the last three Jacksonian Middle Earth things were, though again I blame the source material.Raiziel wrote:. Did you read the book?I'm not going to see The Hobbit because it is The Hobbit. Please select new film I might care about and the miscasting it is about to get all up in its guts.
Diluted Dante wrote:Edit - Also he now smokes
monkey wrote:Can someone outline what it is about this Dante that is so different? All I'm seeing is a different hair colour and a slightly tweaked wardrobe.
monkey wrote:Can someone outline what it is about this Dante that is so different? All I'm seeing is a different hair colour and a slightly tweaked wardrobe.
This. I genuinely don't see much difference.ÂBrooks wrote:No, I appreciate entirely that it matters, it's just in this particular instance the shift in presentation seems inconsequential.
Brooks wrote:No, I appreciate entirely that it matters, it's just in this particular instance the shift in presentation seems inconsequential. It's tapping the same cartoonish heavy metal foppery, just more a touch more Gerard Way than visual-kei, presumably to mirror how that broader aesthetic has itself shifted and so still belong to it. Is that the issue, actually? That it's no longer sufficiently exotic?
Brooks wrote:Is that the issue, actually? That it's no longer sufficiently exotic?
SourceCapcom announced Vergil’s return at a pre-Gamescom event, and explained that Vergil recruits Dante into a group called the Order to help him get revenge on the demon enslaving mankind. The Order is a group of hackers, spies and other roles brought together to save mankind.
They have been estranged since childhood, and Dante has no recollection of him. Vergil and Dante will guard each other with their life as they fight against the demons.
Capcom then revealed a trailer that showed both brothers fighting side by side in cut-scenes, and squabbling over the game’s female character. Dante wants to save her at the potential cost of their mission, but Vergil wants to focus on the issue at hand.
New gameplay then showed Dante infiltrating the lair of the demon’s corrupt media mogul, swinging through warped world plastered with news tickers and warped infographics.
Reaching the end of an elevated walkway, the media mogul’s face phases out of the wall and confronts Dante. The two exchange words, expletives and the middle finger before a battle erupts.
In a stroke of brilliance the camera then pans back like a news report as Dante starts fighting a pack of goons. The media mogul commentates on the battle, spinning tons of propaganda about Dante to rally the demons against him – Calling him a drunk, focusing on his violent acts and more. It’s rather clever.
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